_youdream.jpg "YOUDREAM from tqw Video Screenshot Preview")
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⏲ Duration: 47 min 73 sec
✓ Published: 22-Jan-2022
✓ Published: 22-Jan-2022
Description:
A show by Superamas filmed in TQW - Vienna
A show by Superamas filmed in TQW - Vienna
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_tanzquartier-wien-the-building.webp "TQW has five rehearsal and training studios, two of which are equipped for performances (100 seats).There are two performance venues: Halle E with 872 seats andHalle G with 310 seats.")
_groz-professional-ratcheting-torque-wrenches-tqw.webp "GROZ Professional Ratcheting Torque Wrenches (TQW) from tqw")
_lisa-hinterreithner-this-is-not-a-garden-teaser-vienna.webp "Details & Tickets")
_interview-marta-navaridas.webp "Trying to capture the smell of the ocean in a perfume: We met Marta Navaridas for a talk during the rehearsal process of MANIFESTATIONS. nWith her piece, the choreographer playfully blends the authenticity of lived experiences with the make-believe situation of the theatre, looking for fake realities in real fakeness. MANIFESTATIONS premieres on 2 February at TQW Halle G.nnMarta NavaridasnMANIFESTATIONSn02./03.02., 19.30nTQW Halle Gnn---nnConcept/Interview: Jonathan HörnignVideo: David Avazzade")
_code-series-tqw-mp4.webp "Code Series TQW.mp4 from tqw")
_interview-julischka-stengele.webp "Julischka Stengele lädt ein: Von der Hand in den Mund ist ein performatives Dinner, eine essbare Installation und Anregung zu einem sinnlichen Diskurs über Geschmack und Klasse. Im Interview in der Küche des Lokals Podium spricht sie über die verbindende und trennende Qualität von Essen und ihre persönliche Auseinandersetzung mit der Thematik.nnJulischka Stengeles Performance Von der Hand in den Mund feiert am 23. Februar im TQW Premiere. Darinverbinden sich Materialitäten, Gerüche, Ar")
_0b1fbgs7scn88u1dysznrnvhjnkdqatqwx1rpm3jboe1uslhb.webp "0B1fbgs7scn88U1dySzNrNVhJNkdqaTQwX1RPM3JBOE1USlhB from tqw")
_remnants-of-exoticism-amanda-pia-in-conversation.webp "Remnants of exoticism: Amanda Piña in conversationn nRemnants of exoticism: We had a conversation with choreographer Amanda Piña about her piece Exótica at Vienna’s Imperial Butterfly House. The piece is an homage to all those forgotten performers of colour who did not find a place in the canon of dance history. Exótica is also a reflection on the practice of categorising art forms that are sexually charged and read as ‘foreign’, which still goes on today.n nIn order to make this phe")
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_interview-marta-navaridas.jpg)
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