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Die and Let Die
⏲ 87 sec ✓ 06-Aug-2015
THE TERRAMATER by RENESA ARCHITECTURE DESIGN INTERIORS STUDIO
⏲ 4 sec ✓ 19-Dec-2019
AYC 102 Track film #03
⏲ 1 min 6 sec ✓ 21-Sep-2016
Chris Anderson, Angeles Briones, Michele Mauri: Fog of Finance? Visualising Offshore and the Aesthetics of Uncertainty
⏲ 10 min 41 sec ✓ 29-May-2019
Rx Bricks: New Interactive Images
⏲ 59 sec ✓ 15-Dec-2020
Demo LIVE - Create your own DRAW bricks or CODE bricks
⏲ 3 min 6 sec ✓ 10-Apr-2020
Block Breaker
⏲ 31 sec ✓ 15-Dec-2015
THE TERRAMATER by RENESA ARCHITECTURE DESIGN INTERIORS STUDIO
⏲ 3 sec ✓ 19-Dec-2019
ING One Bank Legal Engagement Event Legal Team 1
⏲ 2 min 36 sec ✓ 18-Apr-2012
Toxteth Day Of The Dead - Hereafter Party
⏲ 60 sec ✓ 17-Nov-2019
AYC 102 Track film #01
⏲ 22 sec ✓ 21-Sep-2016
Hump Day with Rev. Geneva Nelson
⏲ 29 min 55 sec ✓ 17-Jan-2024
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_die-and-let-die.webp "St. Louis Cemetery #1, a New Orleans necropolis just outside of the French Quarter, recently closed to the public due to vandalism. It was rumored that a tour guide invented a Voodoo")
_the-terramater-by-renesa-architecture-design-interiors-studio.webp "THE TERRAMATER by RENESA ARCHITECTURE DESIGN INTERIORS STUDIO nEnclosed within a rustic red terracotta brick, studio Renesa’s new project is not your ordinary showroom. Launching their first showroom in Amritsar, India, the client’s provided us a simple objective – to create a space that instantly felt comfortable and familiar that would draw people to the place. nSteering away from the traditional showroom approach, we sought to contextualize the space as a gallery that provides the consu")
_ayc-102-track-film-03.webp "AYC/102 Track film #01nWe want to show what we do.nYou can play with our artwork and draw your feelings.nIf you found your own color, make your real story.nIt is nothing special, just go with the flow!nayoungcompany.comninstagram @102_bricks and @ayoungcompany")
_chris-anderson-angeles-briones-michele-mauri-fog-of-finance-visualising-offshore-and-the-aesthetics-of-uncertainty.webp "What can be learned from data practices to render offshore financial flows visible and actionable for advocacy, policy and public debate? How can data visualisations be used to narrate the scale and dynamics of offshore financial activity? How can they convey uncertainty without insinuating sublime unfathomability? How might the communication of what we know and what we don’t know about offshore finance both draw on, complement and modify existing visual cultures, practices and aesthetics of u")
_rx-bricks-new-interactive-images.webp "Are you bad at interpreting pathology slides? No idea how to read a chest Xray? Turns out that’s probably not entirely your fault:nnSee, there’s not a ton of time dedicated to image interpretation in med school, and the conventional “arrow and label” approach has a TON of weaknesses. nnWe’ll do you one better: visually enhanced clinical images with overlays that specifically pop up on mouseover so there’s no ambiguity. nnWe’ve found ways to draw attention to the defining features t")
_demo-live-create-your-own-draw-bricks-or-code-bricks.webp "Demo LIVE - Create your own DRAW bricks or CODE bricks from draw bricks")
_block-breaker.webp "Block Breaker is a colorful remix and mod of our class' code of Atari's 1972 arcade game titled")
_the-terramater-by-renesa-architecture-design-interiors-studio.webp "THE TERRAMATER by RENESA ARCHITECTURE DESIGN INTERIORS STUDIO nEnclosed within a rustic red terracotta brick, studio Renesa’s new project is not your ordinary showroom. Launching their first showroom in Amritsar, India, the client’s provided us a simple objective – to create a space that instantly felt comfortable and familiar that would draw people to the place. nSteering away from the traditional showroom approach, we sought to contextualize the space as a gallery that provides the consu")
_ing-one-bank-legal-engagement-event-legal-team-1.webp "Building a wall of hopennOur team 1 (ING Legal Americas, GLM&S – Netherlands, RED-REIM Netherlands and ING Direct Netherlands) has gotten off to a great start. We quickly agreed to a combined and coordinated fundraising campaign.We decided to have two fundraisers in each locale:one that would be on-going during the month of March and one big final event in Amsterdam and New York. This strategy generated tremendous engagement within each legal team,among the legal departments in three")
_toxteth-day-of-the-dead-hereafter-party.webp "The Liverpool Arts Lab is delighted to present the Hereafter Party for this year's Toxteth Day of the Dead! nnLooking to build upon the momentous events last year, as people flocked from far and wide to pay reverence to those no longer with us who left a significant impact on Toxteth, this year will see fresh plans from Jimmy Cauty and Bill Drummond, a new route for the Beating Of The Bounds and more MuMufication bricks laid in The People's Pyramid. nnAs the solemn daytime proceedings draw to a")
_ayc-102-track-film-01.webp "AYC/102 Track film #01nWe want to show what we do.nYou can play with our artwork and draw your feelings.nIf you found your own color, make your real story.nIt is nothing special, just go with the flow!nayoungcompany.comninstagram @102_bricks and @ayoungcompany")
_hump-day-with-rev-geneva-nelson.webp "Lift Every VoicenSERIES: Lift Every Voice and Sing – The Biblical Significance of the Verses of James Weldon Johnson’s Black National AnthemnLesson 1: January 31, 2024 – February 6, 2024nRev. Geneva NelsonnnFocal Passage:nExodus 1:6-14, 22 (NLT) – 6In time, Joseph and all of his brothers died, ending that entire generation. 7But their descendants, the Israelites, had many children and grandchildren. In fact, they multiplied so greatly that they became extremely powerful and filled the la")
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