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EC2 Renderfarm Part 4.1
⏲ 10 min 0 sec ✓ 22-Aug-2011
Josh Hatton - CG Reel 2012
⏲ 1 min 22 sec ✓ 21-Feb-2012
Pronouns
⏲ 5 min 67 sec ✓ 25-Nov-2015
Character TD Reel 2010
⏲ 1 min 63 sec ✓ 09-Jul-2010
Arette Ski - GoPro Edit
⏲ 3 min 49 sec ✓ 18-Mar-2013
The Freelancer's Guide to Arnold for Maya
⏲ 36 min 17 sec ✓ 24-Jan-2014
Flex for Autodesk's Maya
⏲ 1 min 33 sec ✓ 18-Aug-2012
Insects - Making of
⏲ 37 sec ✓ 28-Sep-2014
Studio Home Sweet Home réalise la vidéo de mariage de Andie et Bryan à La Raboullière (Saint-Valérie-de-Milton).
⏲ 2 min 99 sec ✓ 20-Feb-2015
Maya Mental Ray: Custom Color Passes (2010) Part 1 - UV Pass
⏲ 22 min 38 sec ✓ 24-Mar-2011
DarkFuture
⏲ 27 sec ✓ 24-Oct-2018
Promax 2010 Opener
⏲ 1 min 50 sec ✓ 22-Sep-2010
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_ec2-renderfarm-part-4-1.webp "Part 4.1 on how to set up a Backburner renderfarm for 3DS Max or Maya on Amazon Web Service's Elastic Computing.")
_josh-hatton-cg-reel-2012.webp "Josh HattonnCommercial and Film VFXnShot BreakdownnnnL&MnCommercial spot of CG fiber optics done with Houdini and MantrannWrigley’s GumnAs Commercial Lead, particle effects done with Houdini and MantrannThe Day The Earth Stood StillnDust fluid sim, nanoswarm particle effects, debris in Maya.ntnn300nExplosive particle effects and debris, just a small part of what I did on that film as lead fx artistnnAVP: RequiemnNuclear blast effects done with Maya Fluids, volume shaders, and particles.H")
_pronouns.webp "mike@alrojofilms.comnnA Chicago teenager decides to reveal their true identity during a spoken word performance. nnWritten and Directed by Mike Pauluccinwww.alrojofilms.comnnProduced by Cagney Gentrynwww.theredballoonfilms.comnnDirector of Photography, Seamus Mulligan-Ferrynwww.seamusmulliganferry.comnnPatrick")
_character-td-reel-2010.webp "This is my public 2010 character TD demo reel. My production work is not shown because that material isn't released yet. So I've filled this reel with other projects I've worked on the past couple of years. Everything on the reel is developed, modeled, animated, textured, rendered by me. Thank you to my colleagues for inspiration and guidance.nnShot Breakdown:nn1. Skin Sliding Deformer - A deformer written in C++ with the Maya API.It uses a transform handle to slide the vertices along the su")
_arette-ski-gopro-edit.webp "Great day at La pierre de San Martin- Arette (France)nnShot it entirely with the new GoPro HERO 3 Black editionnnEnjoy ;) And don't forget to watch it in HD!!nnnMusic: n---Ivan Gough & Feenixpawl feat. Georgi Kay - In My Mind (Walden Remix) Full Versionn---Vraiment beau ---- Les trois accordsnnI DO NOT OWN THE RIGHTS FOR ANY OF THE SONGS USED, AND I DO NOT WANT TO MAKE MONEY WITH THEM EITHER. This video is purely fan-made, it's done for entertainment purposes only. No copyright infringemen")
_the-freelancer39s-guide-to-arnold-for-maya.webp "Whether you're a freelancer starting a new job, or a seasoned artist who's facility has decided to change their primary rendering engine, if you need to get up to speed fast on Arnold for Maya this is the tutorial for you! This video was created to be your quick start guide to rendering in Arnold, and I'm confident we're going to get you rendering here on day one. In this video we cover everything from sample settings, Lights, shaders, rendering, optimization, and everything in between. nnLets g")
_flex-for-autodesk39s-maya.webp "FLEX: General purpose feather system for Maya – Plugin Developmentn-----------------------------------------------------------------------------nTechnology: C++, Maya API, MELn-----------------------------------------------------------------------------nDescription:nn Main Features:n• Non-Destructive workflown• Interactive modificationn• Applying animation using key frames and dynamicsn• Styling using control curvesn• Pipeline friendly; Saves and Exports feather data to attribute map")
_insects-making-of.webp "edit: I can not believe all these appreciations and encouraging words,this means a lot to me. can't stress how much! I'm really really grateful for all the words and time you put watching and spreading this. this brought me a success which I'll never forget. thank you and thank you! :-Sn#===================================================================================nnFirst of all, I’d like to thanks everyone for watching and also those who helped with their feedbacks so it can look the w")
_studio-home-sweet-home-ralise-la-vido-de-mariage-de-andie-et-bryan-la-raboullire-saint-valrie-de-milton.webp "Caméra : Lucas Harrison RupniknMontage : Lucas Harrison Rupnik et Melissa Maya FalkenbergnMusique: 1, 2, 3, 4 (Plain White T's), interprété par Bryan Levesque et Andie Duquette. Party : Love You Madly du groupe Cake.nUne production de Studio Home Sweet Home")
_maya-mental-ray-custom-color-passes-2010-part-1-uv-pass.webp "Saw this technique on a job recently. Basically, using a UV pass to track and position footage into a 3D render. May be something that is more obvious to heavy Nuke users, but not something that I've seen before. A simple and practical use for a UV pass!nPart 1 is about how to get custom color passes out of Maya/Mental Ray (readdressing some info from 2008 custom pass tutorials) and Part 2 is about using the UV pass in Nuke to composite our footage into our UV mapped renders.")
_darkfuture.webp "Dark future is a short sequences that explore the visual of stimulus. As the cold temp light lit up, it became the techn that gives a vital pulse of energy to connect between humans and machines. ————————————— nnWe target to spend a 2 weeks to finish and mark as a journal to see how far we can take this. A fun production. Learn lots of things from each other!nnsoftware: maya, mari, vray, houdini, redshiftnnnVisual by : Stefan Kang , Santhosh Koneru nMusic & SFX by :")
_promax-2010-opener.webp "The DMCI was this years branding partner for the 2010 PromaxBDA ANZ Conference. They produced 2 conference openers and all print and marketing collateral.nnism studios worked in collaboration with The DMCI to create music and sound design for the 2 openers.nnThe conference theme was CREATIVE SURVIVAL KIT and our approach was to explore a day in the life of a 'creative' which leads to a creative epiphany.nnCREDITSnCreative Director & Designer - Nathan DrabschnAudio Design & Composition -")
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