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Filipina Olympic-bound gymnast Ruivivar visits PH for first time
⏲ 4:20 👁 10M
Preserving the Music of the 18th Century
⏲ 5 minutes 57 seconds 👁 47.5K
Busy Revolutionary Tavern Ambience 1HR [Fireplace + Drinking Songs + Chatter]
⏲ 1 hour 31 seconds 👁 53.9K
What I've Learned: Jim Paredes | Esquire Philippines
⏲ 10:52 👁 13M
LIT Friday wAirea D. Matthews
⏲ 1 hour 13 minutes 12 seconds 👁 1
Colonial Era Music and Instruments Part 1
⏲ 12 minutes 5 seconds 👁 1.5K
DJ and Producer CRANKDAT Talks Returning to EDC
⏲ 1:10 👁 10.5M
18th-century African American southern fiddle tunes from Jamaica and Virginia
⏲ 7 minutes 33 seconds 👁 5.5K
90 minutes of american revolutionary war music
⏲ 1 hour 22 minutes 11 seconds 👁 77.9K
The Breakdown: Shaboozey on 'Bar Song (Tipsy)'
⏲ 8:34 👁 3.1M
You're an 18th Century Noble Enjoying the Court | a playlist
⏲ 47 minutes 54 seconds 👁 98.1K
Yankee Doodle (Fife and Drum)
⏲ 2 minutes 35 seconds 👁 1.3M
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_filipina-olympic-bound-gymnast-ruivivar-visits-ph-for-first-time.webp "Filipina Olympic-bound gymnast Ruivivar visits PH for first time <br/><br/>Olympic-bound gymnast Levi Ruivivar shares how excited she is to represent the Philippines for the Paris 2024 games. Visiting the Philippines for the first time, Ruivivar said she also used this as an opportunity to give back as she gave leotards to young Filipina gymnasts.In her brief stay in the country, the Filipino-American gymnast now shifts her focus to the upcoming Olympics, and looks forward to get in touch with her roots more.Ruivivar is the youngest Olympian, and will represent the Philippines along with gymnasts Carlos Yulo, Aleah Finnegan, and Emma Malabuyo.<br/><br/>Video by Rio Deluvio<br/><br/>Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe<br/> <br/>Visit our website at https://www.manilatimes.net<br/> <br/> <br/>Follow us: <br/>Facebook - https://tmt.ph/facebook<br/> <br/>Instagram - https://tmt.ph/instagram<br/> <br/>Twitter - https://tmt.ph/twitter<br/> <br/>DailyMotion - https://tmt.ph/dailymotion<br/> <br/> <br/>Subscribe to our Digital Edition - https://tmt.ph/digital<br/> <br/> <br/>Check out our Podcasts: <br/>Spotify - https://tmt.ph/spotify<br/> <br/>Apple Podcasts - https://tmt.ph/applepodcasts<br/> <br/>Amazon Music - https://tmt.ph/amazonmusic<br/> <br/>Deezer: https://tmt.ph/deezer<br/><br/>Tune In: https://tmt.ph/tunein<br/><br/>#themanilatimes <br/>#philippines<br/>#gymnastics<br/>#sports<br/>")
_preserving-the-music-of-the-18th-century.webp "Townsends")
_busy-revolutionary-tavern-ambience-1hr-fireplace-drinking-songs-chatter.webp "Historical ASMR")
_what-i39ve-learned-jim-paredes-124-esquire-philippines.webp "It takes a different level of artistry and musical genius to write the great APO Hiking Society songs that are now in the annals of Philippine music history. Songs like Batang-Bata Ka Pa, Panalangin, When I Met You, Yakap sa Dilim, American Junk, Blue Jeans, Mahirap Magmahal Ng Syota Ng Iba, San' Na Nga Ba'ng Barkada Ngayon, and Nakapagtataka, among many others, are already considered OPM classics. <br/><br/>But did you know that Jaime \")
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_dj-and-producer-crankdat-talks-returning-to-edc.webp "American DJ and producer CRANKDAT shares his excitement about performing at the 2024 Electric Daisy Carnival in Las Vegas, the biggest electronic dance music festival in North America.")
_18th-century-african-american-southern-fiddle-tunes-from-jamaica-and-virginia.webp "Nikos Pappas")
_90-minutes-of-american-revolutionary-war-music.webp "Tyler Jacobs Composer")
![When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KGmM_MmSwGIyWqyEHMTcUIl9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_the-breakdown-shaboozey-on-39bar-song-tipsy39.webp "When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”")
_you39re-an-18th-century-noble-enjoying-the-court-124-a-playlist.webp "ultravclet")
_yankee-doodle-fife-and-drum.webp "Vitor B. Macarthy")
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