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Biography of Charles Dickens - சார்லஸ் டிக்கென்ஸ் வாழ்க்கை வரலாறு@TAMILFIRECHANNEL<br/><br/>நாம் உயர்நிலைப்பள்ளியில் பயின்றபோது ஆங்கில பாடத்தில் Oliver Twist என்ற நாவலை மறந்திருக்க முடியாது. குடும்ப ஏழ்மையின் காரணமாக சிறு வயதிலேயே குழந்தைத் தொழிலாளியாக மாறி ஒரு சிறுவன் படும் இன்னல்களை சித்தரிக்கும் ஓர் அற்புத நாவல் அது. 'ஆலிவர் ட்விஸ்ட்' என்ற அந்த கதாபாத்திரமும் அந்த நாவலும் தத்ரூபமாக அமைந்ததற்கு முக்கிய காரணம் அந்த கதாசிரியர் தனது சொந்த அனுபவங்களை எழுதியிருப்பதுதான். பொதுவாக கற்பனைக் கதைகளைக் காட்டிலும் அனுபவக் கதைகளுக்கு வீரியம் அதிகமாக இருக்கும். அப்படி வீர்யமிக்க பல இலக்கிய படைப்புகளைத் தந்த பத்தொன்பதாம் நூற்றாண்டின் ஒரு எழுத்தாளரைப் பற்றிதான் தெரிந்துகொள்ளவிருக்கிறோம். ஷேக்ஸ்பியருக்கு அடுத்த இரண்டாவது உயர்ந்த நிலையை அவருக்கு தந்திருக்கிறது ஆங்கில இலக்கிய உலகம். ஆம் அவர்தான் உலகபுகழ் பெற்ற ஆங்கில நாவலாசிரியர் சார்லஸ் டிக்கென்ஸ்...மேலும் தெரிந்து கொள்ள<br/><br/>http://vaanamvasapadume.blogspot.sg/2015/12/biography-of-charles-dickens.html<br/><br/>#Life_Story_In_Tamil #Life_History_In_Tamil #Biography_In_Tamil<br/><br/>Life history of famous people in Tamil <br/>https://www.youtube.com/watch?v=H8nF8CBSTLY&list=PLlXtBr5u1Fj_G74j9Id87vsPF-xXsYVG4<br/><br/>Thirukkural Videos Playlist<br/> https://www.youtube.com/watch?v=52KqD8k1KD8&list=PLlXtBr5u1Fj9KZ01lUV4Wn5kV1cyrDSoA<br/><br/>Thirukkural WhatsApp Status Videos<br/>https://www.youtube.com/watch?v=CS57RoIt00k&list=PLlXtBr5u1Fj-kx7S-Rl_ODaVbmR4ERRTX<br/><br/>Tamil Bed time Stories for kids<br/>https://www.youtube.com/watch?v=HzQ5jHJ7UoQ&list=PLlXtBr5u1Fj-ntzQDPcnPCYpZGXmWHlRT<br/><br/>Thirukkural for TNPSC Exam Videos<br/>https://www.youtube.com/watch?v=4MWLVykh_0s&list=PLlXtBr5u1Fj9KJjocjxnV0jxmGfs2Zw_A<br/><br/>Thirukkural in English<br/>https://www.youtube.com/watch?v=QzWNsYQ_Zuo&list=PLlXtBr5u1Fj-Vf5KAFlleyNFOSkIpLcsn<br/><br/>Interesting Facts <br/>https://www.youtube.com/watch?v=g1KMfxOK_aY&list=PLlXtBr5u1Fj_ZBcB3dG_D4NCLiKixBj24<br/><br/>FAIR USE COPYRIGHT NOTICE<br/>The Copyright Laws of the United States recognizes a “fair use” of copyrighted content.Section 107 of the U.S. Copyright Act states:<br/>“Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.”<br/>This video and our You Tube channel in general may contain certain copyrighted works that were not specifically authorized to be used by the copyright holder(s), but which we believe in good faith are protected by federal law and the fair use doctrine for one or more of the reasons noted above.<br/>If you have any specific concerns about this video or our position on the fair use defense, please contact us at danbuselvisaravanan@gmail.com so we can discuss amicably.Thank you.
⏲ 7:23 👁 445K
ETimes
⏲ 2 minutes 43 seconds 👁 856
Oneindia News
⏲ 1 minute 56 seconds 👁 3.3K
Crakk movie review: Nora Fatehi, Vidyut Jammwal, Arjun Rampal and Amy Jackson film.<br/>The film opens with Siddharth Dixit aka Siddhu (Vidyut Jammwal), a slum dweller in Mumbai trying dangerous, life-threatening stunts on a moving local train. He leans out of the door, touches poles, climbs on the top and runs from one compartment to another like a cakewalk. His friends call him crack (crazy in the head). Though crack is also an adjective used for very well trained and skilful sports players, I'm not sure if Crakk actually intended to play on this very emotion. Here, it's Vidyut's eccentricities, his passion for trying potentially-fatal stunts, and extreme sports that form the crux of the plot.<br/>
⏲ 2:12:41 👁 70K
Hindustan Times
⏲ 3 minutes 2 seconds 👁 10.6K
Actors Love
⏲ 46 seconds 👁 12.7K
## Narappa (Tamil) - A Movie Dealing with Caste and Grit<br/><br/>**Here's a breakdown of the reviews for Narappa (Tamil):**<br/><br/>**Strengths:**<br/><br/>* **Powerful Performances:**Venkatesh is praised for his portrayal of the protagonist, Narappa.Other actors, including Karthik Ratnam and Rakhi, are also commended for their performances.<br/>* **Gripping Story:** The film tackles the sensitive topic of caste-based hierarchies and the struggles faced by lower castes in rural areas. <br/>* **Visually Appealing:** The art direction and cinematography are considered good, creating a distinct visual style for the film.<br/><br/>**Weaknesses:**<br/><br/>* **Uneven Pacing:** Some reviewers found the second half to be less immersive than the first half, with the revenge plot feeling a bit stretched.<br/>* **Overly Reliant on Dialogue:** The film is criticized for being dialogue-heavy, with excessive use of voice-overs that explain things that could be shown visually. <br/>* **Clichéd Elements:**Certain plot points, like the villain waiting for an election to be over before acting, are seen as overly familiar tropes.<br/><br/><br/>**Overall:**<br/><br/>Narappa is a well-acted film with a powerful message about social injustice.While some pacing issues and predictable elements hold it back, it's still considered an engaging watch, particularly for those interested in films that explore social realities.<br/><br/>**Here are some additional points to consider:**<br/><br/>* Narappa is a remake of the Telugu film of the same name.<br/>* The film's portrayal of women has been criticized by some viewers.<br/><br/>I hope this review helps!
⏲ 1:59:37 👁 60K
ETimes
⏲ 2 minutes 51 seconds 👁 247
India Today
⏲ 1 minute 28 seconds 👁 2.4K
I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which
⏲ 3:9:3 👁 345K
editorji
⏲ 58 seconds 👁 64
online 𝗜𝗡𝗗𝗜𝗔
⏲ 1 minute 8 seconds 👁 186
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