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The character Kabir Singh, or Arjun Reddy for that matter, is basically an updated Devdas, a loser in love, with additional anger management issues, who hits the bottle at the drop of the hat. There’s even a Chunni babu in his life in the form of bestie Shiva who keeps coming to his rescue and appears to have no life whatsoever of his own. In fact not a single character in the apology of a script — from his college principal to the family to the hospital staff — seems to have any raison d’etre other than pandering needlessly to a man, who, instead of any sympathy or indulgence for his “troubled” mind needs some serious treatment and therapy to control the inherent noxiousness he is spreading in the world around him. The entire arc of the film is to somehow make his negativity attractive, explain it away as “unconventional” and have him find redemption despite his unforgivable ways. Well, he is a genius at everything after all, even at performing surgeries when he is sloshed and coked out.<br/><br/>Having watched and balked at Arjun Reddy for its celebration of a misogynistic, infantile bully of a hero, Kabir Singh felt like a doubly suffocating experience. One that makes you feel violated. Devdas at least had the headstrong Paro and graceful Chandramukhi, two beholden women alright but with personalities of their own, to bring some sense of balance to the man-woman game. Here the woman is denied any agency whatsoever. She is a property, marked and owned by the man. She will meekly follow him wherever he takes her, eyes always down, is masochistic in allowing herself to bear with his violent ways. While the soulful ditty in the background plays “tujhpe hi to mera haq hai (I have the right on you)”. He is the protector and the saviour.
⏲ 2:51:25 👁 980K
Shweta Jaya Filmy Baatein
⏲ 16 minutes 50 seconds 👁 688.1K
Celebs Family
⏲ 8 minutes 3 seconds 👁 129K
Mysteries and mirages, twists and turns. In the heart of an unforgiving desert, unfolds a gritty thriller, unlike any other., Starring Anil Kapoor, Harshvarrdhan Kapoor, and Fatima Sana Shaikh.<br/>Set in Munabao, a sleepy, parched hamlet near the Rajasthan-Pakistan border, Raj Singh Chaudhary’s Thar is a tribute to American Westerns. It has all the usual elements—blood, gore, violence, an arid, nondescript village lost in time, local gangsters, svelte village belles, an ageing inspector, and a brooding, mysterious stranger. All of it wonderfully supported by stunning scenic visuals of remote Rajasthan.<br/>I am a Rajasthani. I have been raised in the desert state. I know the geography like a native should and yet, I watched Shreya Dev Dube’s skilled camerawork with open-mouthed wonder. Thar’s cinematography is its hero. The desiccated terrain, the barren hills, the omnipresent dust, and the aridity of it all is so palpable, that you can feel the acute lack. Of water, vegetation, humanity. Dubey’s prowess does not just provide the right setting for the drama to unfold, it gives the film its true protagonist and thence the title.<br/><br/>The other thing that stands out about Thar is its depiction of brutality. It’s as savage and unapologetic as the acts themselves. This Netflix film is disturbingly graphic. Even by the standards of Westerns and revenge dramas. Violence begets violence, but be warned, this one shows it all—the severing of body parts, the mutilation, the slow torture, the immolation—up close and in distressing detail.<br/><br/>At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Dissatisfied with his unremarkable, middling career, he wants to go out with a bang. And soon enough, an opportunity plays out. There’s a shootout involving cross-border drug smuggling and a local man is found hanging from a tree, inhumanly mutilated. Surekha spurs into action.
⏲ 1:48:37 👁 1M
Shemaroo
⏲ 2 hours 40 minutes 11 seconds 👁 66.7M
Radio ADDA
⏲ 29 minutes 10 seconds 👁 16.6K
Arti Singh is beaming with joy after tying the knot with her businessman beau, Dipak Chauhan. Sharing glimpses of her 'pehli rasoi' ceremony on Instagram, she exudes elegance in a traditional red suit, radiating a timeless beauty that captures everyone's attention. Her bridal glow shines bright, stealing the spotlight in every frame.<br/><br/>#artisingh #pehlirasoi #justmarried #DipakKiArti #dipakchauhan #krushnaabhishek #artisinghwedding #trending #viralvideo #bollywood #entertainmentnews
⏲ 1:38 👁 4.6M
KeyFact
⏲ 33 minutes 1 second 👁 16.3K
FilmiFever
⏲ 7 minutes 44 seconds 👁 3.8M
Stay updated with the latest developments in the excise policy case as the Delhi court extends the judicial custody of Arvind Kejriwal and co-accused Chanpreet Singh until May 20. Follow the unfolding legal proceedings and stay informed about this significant case. <br/> <br/><br/>#ArvindKejriwal #AAP #AamAadmiParty #ArvindKejriwalCustody #ArvindKejriwalJail #Delhi #DelhiNews #ExcisePolicyCase #Oneindia<br/>~HT.97~ED.155~
⏲ 3:2 👁 2.8M
Rajshri
⏲ 3 minutes 11 seconds 👁 8.4M
An exciting thriller film Silence: Can You Hear It revolves around a mysterious murder and investigation that follows. When the daughter of retired Justice Chaudhary Pooja is found murdered ACP Verma is assigned to investigate the case. The events that follow form the crux of the story. The film stars Manoj Bajpayee, Prachi Desai, and Arjun Mathur. The Principal photography began on 12 December 2020 and was wrapped up by February 2021 and it was directed by Aban Bharucha Deohans. The film was produced by Akshay Balsaraf and was distributed by Zee5. The music was composed by Gaurav Godkhindi. Adept cinematography by Arvind Singh and clear-cut editing by Sandeep Kumar Sethy makes it a watchable movie. The film was released on 26 March 2021 and has a running time of 136 minutes. A UA certificate for the movie was provided by the Censor Board.
⏲ 2:16:17 👁 155K
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