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_animal-lover-takes-pet-goat-on-daily-walks-around-city39s-parks.jpg "An animal lover and his 10-year-old pet goat have been turning heads around a city by going on daily walks together.<br/><br/>David Hughes, 47, has been walking his large pygmy goat named Boo around their local estates and parks for the last nine years.<br/><br/>Boo developed osteoarthritis when he was one and David decided to take the him out on regular walks to keep him moving.<br/><br/>The pair have to stick to a set route which has been approved by a vet on their adventures around Milton Keynes, Bucks.<br/><br/>David, a technical engineer, said even though he's been walking Boo for nine years, there are still people who haven't seen him before.<br/><br/>He said: \")
⏲ 4:30 👁 2.9M
_death-comes-to-pemberley-episode-03.jpg "Things look very bad for Wickham as Hardcastle learns that he fathered Louisa's baby under a false name with the same initials as Fitzwilliam Darcy. Meanwhile Louisa tells Elizabeth that Denny was arranging for her to have the baby adopted by the woman seen in the woods - although Louisa refused - and that Fitzwilliam was listening to them. Wickham goes for trial, defended by Alveston - who will later marry Georgina. To the horror of snobbish patroness Lady Catherine De Bourgh Darcy goes to give evidence for Wickham, seeing the woman from the woods, who he recognizes as Mrs. Younge, the old governess of Georgiana who turned out to be an accomplice of Wickham. Now she turns out to be Wickham's sister. The jury return a guilty verdict but Elizabeth is not convinced and conducts her own investigation to find out who really killed Martin Denny.")
⏲ 59:3 👁 10K
![The Fernsehturm (German: [ˈfɛʁnzeːˌtʊʁm] ⓘ; English: Television Tower) in central Berlin was constructed between 1965 and 1969 by the government of the German Democratic Republic, or East Germany, as both a functional broadcasting facility and a symbol of Communist power.<br/><br/>It remains a landmark today from its position next to Alexanderplatz in the city's Marien Quarter, part of the district of Mitte, visible across most suburban districts of Berlin. With its height of 368 meters (1,207 ft) (including antenna) it is the tallest structure in Germany, and the third-tallest structure in the European Union. When built it was the fourth-tallest freestanding structure in the world after the Ostankino Tower, the Empire State Building and 875 North Michigan Avenue, then known as The John Hancock Center.<br/><br/>Of the four tallest structures in the European Union, the Fernsehturm is 2 meters (6.6 ft) shorter than the Torreta de Guardamar, 0.5 meters (1.6 ft) shorter than the Riga Radio and TV Tower, and 8 meters (26 ft) taller than the Trbovlje Power Station. The structure is also more than 220 meters (720 ft) higher than the old Berlin Radio Tower in the western part of the city, which was built in the 1920s.<br/><br/>Thanks and credit to Google Earth Studio.](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KD_5nDGSwDaSPZKuYBJ1yqP9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_berliner-fernsehturm-the-berlin-tv-tower-in-germany.jpg "The Fernsehturm (German: [ˈfɛʁnzeːˌtʊʁm] ⓘ; English: Television Tower) in central Berlin was constructed between 1965 and 1969 by the government of the German Democratic Republic, or East Germany, as both a functional broadcasting facility and a symbol of Communist power.<br/><br/>It remains a landmark today from its position next to Alexanderplatz in the city's Marien Quarter, part of the district of Mitte, visible across most suburban districts of Berlin. With its height of 368 meters (1,207 ft) (including antenna) it is the tallest structure in Germany, and the third-tallest structure in the European Union. When built it was the fourth-tallest freestanding structure in the world after the Ostankino Tower, the Empire State Building and 875 North Michigan Avenue, then known as The John Hancock Center.<br/><br/>Of the four tallest structures in the European Union, the Fernsehturm is 2 meters (6.6 ft) shorter than the Torreta de Guardamar, 0.5 meters (1.6 ft) shorter than the Riga Radio and TV Tower, and 8 meters (26 ft) taller than the Trbovlje Power Station. The structure is also more than 220 meters (720 ft) higher than the old Berlin Radio Tower in the western part of the city, which was built in the 1920s.<br/><br/>Thanks and credit to Google Earth Studio.")
⏲ 5:1 👁 10K
_la-botanita-surtida-92-review-de-92.jpg "Este es una video reseña de La botanita Surtida. Espero te guste y sigue todas las redes del blog.<br/>.. <br/><br/>Hi, Internet users.<br/><br/>This is a video review of La Botanita Surtida. I hope you like it and follow all the blog networks.<br/><br/>https://linktr.ee/labotanitasurtida")
⏲ 2:42 👁 10K
_the-wind-of-ayahuasca-official-re-release-trailer.jpg "Restored in 2018 in cooperation with the Perú Ministry of Culture, The Wind of Ayahuasca (El viento del ayahuasca, 1983) was the first film to offer an authentic and honest depiction of an ayahuasca healing ceremony.<br/><br/>In Iquitos, gateway to the Peruvian Amazon, Nexy (Silvia Chávez) lives on the margins, sometimes as a sex worker, haunted by the memories and folklore of her rural childhood. She meets Miguel (Johnny Palacios) a sociologist visiting from Lima, studying the spiritual traditions and socioeconomic disparities of the region. Miguel encourages Nexy to consult a curandero (Melitón Delgado), who suggests she participate in a healing ceremony. Together, they travel into the jungle, seeking to deepen the healing in a natural environment. When Nexy vanishes, both Miguel and Melitón seek guidance from ayahuasca, and experience profound revelations while in the embrace of the medicine.<br/><br/>In depicting ayahuasca-induced visions, filmmaker Nora de Izcue avoided the American tropes of frantic psychedelic visual effects, and instead depicts the spiritual journeys as a series of elegantly composed tableaus, through which the camera often glides on a waterborne platform. These moments of detachment from the “reality” of the narrative enfold the viewer in poignant and often profound meditative states. <br/><br/>Melitón Delgado, who portrays the shaman in the film, was an actual ayahuasquero, and served as technical consultant on the film, with his mother Alicia Vda. de Delgado.<br/><br/>The Wind of Ayahuasca is also noteworthy as the first Peruvian feature by a woman director. The Wind of Ayahuasca was restored in 2K from an English-subtitled 35mm print.")
⏲ 1:16 👁 170K
_will-cote-de-pablo-return-to-39ncis39-before-the-tony-and-ziva-spinoff-what-michael-weatherly-says.jpg "Back in 2013, Cote De Pablo exited \")
⏲ 1:14 👁 125K
_off-to-the-vet-full-film-in-colour-i-a-simons-cat-special.jpg "Want to see more? Give the film a thumbs up! - Curious to see in B&W style? Watch it here - https://www.youtube.com/watch?v=CyYYHLygi3s<br/>Don't forget to SUBSCRIBE and HIT THE BELL for New Release Notifications! - http://bit.ly/scytsubs<br/><br/>After an unfortunate encounter in the garden, Simon’s Cat goes to great lengths to avoid an imminent visit to the vet. As always, the question remains - will his long-suffering owner Simon step up to the challenge?<br/><br/>After a successful crowdfunding campaign in 2014 to make a longer film, ‘Simon’s Cat: Off to the Vet' became the first 12 minute Simon's Cat film to be produced in full colour. <br/><br/>A HUGE thank you to all our Indiegogo Supporters. This film would not have been possible without you! <br/><br/>‘Simon’s Cat: Off to the Vet’ has screened at multiple film festivals around the world and was awarded The McLaren Award for Best British Animation at the Edinburgh International Film Festival 2016.<br/><br/>OFF TO THE VET CREDITS:<br/>Director: Simon Tofield<br/>Written By: Simon Tofield & Emma Burch<br/>Art Director: Isobel Stenhouse<br/>Producer: Emma Burch<br/>Associate Producer: Edwin Eckford<br/>Executive Producer: Mike Bell<br/>Background Artists: Isobel Stenhouse & Marc Moynihan<br/>Art Department Assistant: Liza Nechaeva<br/>Animation Supervisor: Isobel Stenhouse<br/>Animators: <br/>Laura Nailor<br/>Aya Suzuki<br/>Sandra Gaudi<br/>Emma Wakley<br/>Giulio de Tomo<br/>Sarah Airriess<br/>Gemma Roberts<br/>Slaven Reese<br/>Simon Tofield <br/>FX Animation: Reg Isaac <br/>Animation Assistants:<br/>Setareh Seto<br/>Freya Hotson<br/>Jessica Leslau<br/>Liza Nechava<br/>Emma Wakley<br/>Reg Isaac<br/>Nadia Hussein<br/>Aude Carpentier<br/>Jay Wren<br/>Colour Artists <br/>Fran Woodcock<br/>David Bell <br/>Tara Jane Peak<br/>Kelly Holmes<br/>Ludivine Berthoulox<br/>Compositor: Danielle Baiardini<br/>Story Advisor: Mark Solomon<br/>Production Assistant: Liza Nechaeva<br/>Character Voices: Simon Tofield<br/>Voice Recording: Dave Reynaud at Mcasso<br/>Foley SFX & Audio Mixing: Tom Martin at Mcasso<br/>Music Composer: Stuart Hancock for Mcasso<br/>Audio & Music Executive Producer: Tom Martin at Mcasso<br/>Music Producer: Matt Wyatt at Mcasso<br/><br/>Have you visited the official Simon's Cat website?<br/>Official Website: http://www.simonscat.com<br/><br/>Stay connected with Simon's Cat on your favourite websites:<br/>Facebook: http://facebook.com/simonscat<br/>Google+: http://plus.google.com/+SimonsCat<br/>Twitter: http://twitter.com/SimonsCat<br/>Instagram: https://www.instagram.com/simonscatof...<br/>Tumblr: http://simonscat.tumblr.com/<br/>Pinterest: http://pinterest.com/simonscat<br/><br/>Want to see more of our Black & White films? <br/>Check out our play list here: http://www.goo.gl/FkqgHw<br/><br/>Want to know more about the history of Simon's Cat?<br/>Watch the Simon's Cat Story here - http://goo.gl/Vfx2JS <br/><br/>FAQs:<br/><br/>Q. What's the background of 'Off to the Vet'?<br/>A. ‘Off to the Vet’ film production and crowdfunding campaign was a huge undertaking for the Simon’s Cat Team. Our hope is to produce more long form, full colour content for our fans but without having to turn to them through crowdfunding again. The film was completed in 2015 and submitted it to a selection of international film festivals over the following months. During this time, it was exclusively available to all funders that contributed via our private production blog. The feedback we have received from our funders has been overwhelming positive and we hope they are extremely proud of making the film a possibility. If you are a funder and have any questions regarding the campaign, please contact us at igg@simonscat.com<br/><br/>Q. What software do you use?<br/>A. Simon's Cat is made using Adobe Flash / TV Paint / CelAction animation software.<br/><br/>Q. Why does it take so long to make each Simon's Cat film?<br/>A. Even though the films are made on computer software, they are still hand-animated in a traditional manner, frame to frame. It usually takes between 12 and 25 drawings to create 1 second of a Simon's Cat film.<br/><br/>Q. Where can I buy Simon’s Cat merchandise?<br/>A. You can purchase Simon's Cat products from the official webshop: https://shop.simonscat.com/")
⏲ 12:51 👁 65K
![Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.](https://cdn7.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KDwSvFGSwDGMJqGyPAQEwDv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_scars-of-courage.jpg "Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.")
⏲ 4:1 👁 35K
_i-feel-fine.jpg "I Feel Fine<br/>Letra Rogerio S. de Oliveira <br/>Música criada pela IA <br/>Vídeo gerado pela IA<br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>I Feel Fine<br/><br/>I feel fine because<br/>I feel joy in every moment,<br/>Because what matters<br/>Is the intensity of the present energy<br/>And the happiness of love.<br/><br/>I feel fine because today I know<br/>That the soul awakens under the strong sun,<br/>And nothing can stop us<br/>As long as we don't give up.<br/><br/>I feel fine because today I know<br/>That in every small gesture,<br/>The greatness and presence of love in me are revealed.<br/><br/>I feel fine because dancing mirrors this,<br/>And every smile is a promise<br/>That we can see on the streets, in the squares,<br/>Because life pulses, because life pulses.<br/><br/>I feel fine because time passes,<br/>But it doesn't suffocate us,<br/>And in the melody of life, freedom touches us,<br/>And in every hug, a feeling is created,<br/>In every hug, a feeling is created.")
⏲ 2:2 👁 30K
![Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.<br/>](https://cdn1.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KDxAWYGSwDHuyZUSyJJEKHv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_scars-of-courage.jpg "Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.<br/>")
⏲ 4:1 👁 20K
_obsession.jpg "Letra Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Obsession<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>As far back as I can recall, I've been obsessed.<br/>With cleanliness, my smile is blessed.<br/><br/>Each tooth, a jewel to be polished bright.<br/>No residue can linger in sight.<br/>1, 2, 3, 4, 5, 6, and 7.<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>in heaven…<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>Brushing and flossing a sacred ritual, a vital care.<br/><br/>Some may find it excessive, but to me, it's sincere.<br/>My teeth are my most precious treasure dear.<br/>And I protect them with all my might.<br/>They're worth every effort, every night.<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>As far back as I can recall, I've been obsessed.<br/>With cleanliness, my smile is blessed.<br/><br/>Each tooth, a jewel to be polished bright.<br/>No residue can linger in sight.<br/>1, 2, 3, 4, 5, 6, and 7.<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>in heaven…<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>Brushing and flossing a sacred ritual, a vital care.<br/><br/>Some may find it excessive, but to me, it's sincere.<br/>My teeth are my most precious treasure dear.<br/>And I protect them with all my might.<br/>They're worth every effort, every night.<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.")
⏲ 3:55 👁 20K
_scars-of-courage-acoustic.jpg "Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage Acoustic<br/><br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.<br/>")
⏲ 2:0 👁 15K
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_animal-lover-takes-pet-goat-on-daily-walks-around-city39s-parks.webp "An animal lover and his 10-year-old pet goat have been turning heads around a city by going on daily walks together.<br/><br/>David Hughes, 47, has been walking his large pygmy goat named Boo around their local estates and parks for the last nine years.<br/><br/>Boo developed osteoarthritis when he was one and David decided to take the him out on regular walks to keep him moving.<br/><br/>The pair have to stick to a set route which has been approved by a vet on their adventures around Milton Keynes, Bucks.<br/><br/>David, a technical engineer, said even though he's been walking Boo for nine years, there are still people who haven't seen him before.<br/><br/>He said: \")
_death-comes-to-pemberley-episode-03.webp "Things look very bad for Wickham as Hardcastle learns that he fathered Louisa's baby under a false name with the same initials as Fitzwilliam Darcy. Meanwhile Louisa tells Elizabeth that Denny was arranging for her to have the baby adopted by the woman seen in the woods - although Louisa refused - and that Fitzwilliam was listening to them. Wickham goes for trial, defended by Alveston - who will later marry Georgina. To the horror of snobbish patroness Lady Catherine De Bourgh Darcy goes to give evidence for Wickham, seeing the woman from the woods, who he recognizes as Mrs. Younge, the old governess of Georgiana who turned out to be an accomplice of Wickham. Now she turns out to be Wickham's sister. The jury return a guilty verdict but Elizabeth is not convinced and conducts her own investigation to find out who really killed Martin Denny.")
![The Fernsehturm (German: [ˈfɛʁnzeːˌtʊʁm] ⓘ; English: Television Tower) in central Berlin was constructed between 1965 and 1969 by the government of the German Democratic Republic, or East Germany, as both a functional broadcasting facility and a symbol of Communist power.<br/><br/>It remains a landmark today from its position next to Alexanderplatz in the city's Marien Quarter, part of the district of Mitte, visible across most suburban districts of Berlin. With its height of 368 meters (1,207 ft) (including antenna) it is the tallest structure in Germany, and the third-tallest structure in the European Union. When built it was the fourth-tallest freestanding structure in the world after the Ostankino Tower, the Empire State Building and 875 North Michigan Avenue, then known as The John Hancock Center.<br/><br/>Of the four tallest structures in the European Union, the Fernsehturm is 2 meters (6.6 ft) shorter than the Torreta de Guardamar, 0.5 meters (1.6 ft) shorter than the Riga Radio and TV Tower, and 8 meters (26 ft) taller than the Trbovlje Power Station. The structure is also more than 220 meters (720 ft) higher than the old Berlin Radio Tower in the western part of the city, which was built in the 1920s.<br/><br/>Thanks and credit to Google Earth Studio.](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KD_5nDGSwDaSPZKuYBJ1yqP9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_berliner-fernsehturm-the-berlin-tv-tower-in-germany.webp "The Fernsehturm (German: [ˈfɛʁnzeːˌtʊʁm] ⓘ; English: Television Tower) in central Berlin was constructed between 1965 and 1969 by the government of the German Democratic Republic, or East Germany, as both a functional broadcasting facility and a symbol of Communist power.<br/><br/>It remains a landmark today from its position next to Alexanderplatz in the city's Marien Quarter, part of the district of Mitte, visible across most suburban districts of Berlin. With its height of 368 meters (1,207 ft) (including antenna) it is the tallest structure in Germany, and the third-tallest structure in the European Union. When built it was the fourth-tallest freestanding structure in the world after the Ostankino Tower, the Empire State Building and 875 North Michigan Avenue, then known as The John Hancock Center.<br/><br/>Of the four tallest structures in the European Union, the Fernsehturm is 2 meters (6.6 ft) shorter than the Torreta de Guardamar, 0.5 meters (1.6 ft) shorter than the Riga Radio and TV Tower, and 8 meters (26 ft) taller than the Trbovlje Power Station. The structure is also more than 220 meters (720 ft) higher than the old Berlin Radio Tower in the western part of the city, which was built in the 1920s.<br/><br/>Thanks and credit to Google Earth Studio.")
_la-botanita-surtida-92-review-de-92.webp "Este es una video reseña de La botanita Surtida. Espero te guste y sigue todas las redes del blog.<br/>.. <br/><br/>Hi, Internet users.<br/><br/>This is a video review of La Botanita Surtida. I hope you like it and follow all the blog networks.<br/><br/>https://linktr.ee/labotanitasurtida")
_the-wind-of-ayahuasca-official-re-release-trailer.webp "Restored in 2018 in cooperation with the Perú Ministry of Culture, The Wind of Ayahuasca (El viento del ayahuasca, 1983) was the first film to offer an authentic and honest depiction of an ayahuasca healing ceremony.<br/><br/>In Iquitos, gateway to the Peruvian Amazon, Nexy (Silvia Chávez) lives on the margins, sometimes as a sex worker, haunted by the memories and folklore of her rural childhood. She meets Miguel (Johnny Palacios) a sociologist visiting from Lima, studying the spiritual traditions and socioeconomic disparities of the region. Miguel encourages Nexy to consult a curandero (Melitón Delgado), who suggests she participate in a healing ceremony. Together, they travel into the jungle, seeking to deepen the healing in a natural environment. When Nexy vanishes, both Miguel and Melitón seek guidance from ayahuasca, and experience profound revelations while in the embrace of the medicine.<br/><br/>In depicting ayahuasca-induced visions, filmmaker Nora de Izcue avoided the American tropes of frantic psychedelic visual effects, and instead depicts the spiritual journeys as a series of elegantly composed tableaus, through which the camera often glides on a waterborne platform. These moments of detachment from the “reality” of the narrative enfold the viewer in poignant and often profound meditative states. <br/><br/>Melitón Delgado, who portrays the shaman in the film, was an actual ayahuasquero, and served as technical consultant on the film, with his mother Alicia Vda. de Delgado.<br/><br/>The Wind of Ayahuasca is also noteworthy as the first Peruvian feature by a woman director. The Wind of Ayahuasca was restored in 2K from an English-subtitled 35mm print.")
_will-cote-de-pablo-return-to-39ncis39-before-the-tony-and-ziva-spinoff-what-michael-weatherly-says.webp "Back in 2013, Cote De Pablo exited \")
_off-to-the-vet-full-film-in-colour-i-a-simons-cat-special.webp "Want to see more? Give the film a thumbs up! - Curious to see in B&W style? Watch it here - https://www.youtube.com/watch?v=CyYYHLygi3s<br/>Don't forget to SUBSCRIBE and HIT THE BELL for New Release Notifications! - http://bit.ly/scytsubs<br/><br/>After an unfortunate encounter in the garden, Simon’s Cat goes to great lengths to avoid an imminent visit to the vet. As always, the question remains - will his long-suffering owner Simon step up to the challenge?<br/><br/>After a successful crowdfunding campaign in 2014 to make a longer film, ‘Simon’s Cat: Off to the Vet' became the first 12 minute Simon's Cat film to be produced in full colour. <br/><br/>A HUGE thank you to all our Indiegogo Supporters. This film would not have been possible without you! <br/><br/>‘Simon’s Cat: Off to the Vet’ has screened at multiple film festivals around the world and was awarded The McLaren Award for Best British Animation at the Edinburgh International Film Festival 2016.<br/><br/>OFF TO THE VET CREDITS:<br/>Director: Simon Tofield<br/>Written By: Simon Tofield & Emma Burch<br/>Art Director: Isobel Stenhouse<br/>Producer: Emma Burch<br/>Associate Producer: Edwin Eckford<br/>Executive Producer: Mike Bell<br/>Background Artists: Isobel Stenhouse & Marc Moynihan<br/>Art Department Assistant: Liza Nechaeva<br/>Animation Supervisor: Isobel Stenhouse<br/>Animators: <br/>Laura Nailor<br/>Aya Suzuki<br/>Sandra Gaudi<br/>Emma Wakley<br/>Giulio de Tomo<br/>Sarah Airriess<br/>Gemma Roberts<br/>Slaven Reese<br/>Simon Tofield <br/>FX Animation: Reg Isaac <br/>Animation Assistants:<br/>Setareh Seto<br/>Freya Hotson<br/>Jessica Leslau<br/>Liza Nechava<br/>Emma Wakley<br/>Reg Isaac<br/>Nadia Hussein<br/>Aude Carpentier<br/>Jay Wren<br/>Colour Artists <br/>Fran Woodcock<br/>David Bell <br/>Tara Jane Peak<br/>Kelly Holmes<br/>Ludivine Berthoulox<br/>Compositor: Danielle Baiardini<br/>Story Advisor: Mark Solomon<br/>Production Assistant: Liza Nechaeva<br/>Character Voices: Simon Tofield<br/>Voice Recording: Dave Reynaud at Mcasso<br/>Foley SFX & Audio Mixing: Tom Martin at Mcasso<br/>Music Composer: Stuart Hancock for Mcasso<br/>Audio & Music Executive Producer: Tom Martin at Mcasso<br/>Music Producer: Matt Wyatt at Mcasso<br/><br/>Have you visited the official Simon's Cat website?<br/>Official Website: http://www.simonscat.com<br/><br/>Stay connected with Simon's Cat on your favourite websites:<br/>Facebook: http://facebook.com/simonscat<br/>Google+: http://plus.google.com/+SimonsCat<br/>Twitter: http://twitter.com/SimonsCat<br/>Instagram: https://www.instagram.com/simonscatof...<br/>Tumblr: http://simonscat.tumblr.com/<br/>Pinterest: http://pinterest.com/simonscat<br/><br/>Want to see more of our Black & White films? <br/>Check out our play list here: http://www.goo.gl/FkqgHw<br/><br/>Want to know more about the history of Simon's Cat?<br/>Watch the Simon's Cat Story here - http://goo.gl/Vfx2JS <br/><br/>FAQs:<br/><br/>Q. What's the background of 'Off to the Vet'?<br/>A. ‘Off to the Vet’ film production and crowdfunding campaign was a huge undertaking for the Simon’s Cat Team. Our hope is to produce more long form, full colour content for our fans but without having to turn to them through crowdfunding again. The film was completed in 2015 and submitted it to a selection of international film festivals over the following months. During this time, it was exclusively available to all funders that contributed via our private production blog. The feedback we have received from our funders has been overwhelming positive and we hope they are extremely proud of making the film a possibility. If you are a funder and have any questions regarding the campaign, please contact us at igg@simonscat.com<br/><br/>Q. What software do you use?<br/>A. Simon's Cat is made using Adobe Flash / TV Paint / CelAction animation software.<br/><br/>Q. Why does it take so long to make each Simon's Cat film?<br/>A. Even though the films are made on computer software, they are still hand-animated in a traditional manner, frame to frame. It usually takes between 12 and 25 drawings to create 1 second of a Simon's Cat film.<br/><br/>Q. Where can I buy Simon’s Cat merchandise?<br/>A. You can purchase Simon's Cat products from the official webshop: https://shop.simonscat.com/")
![Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.](https://cdn7.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KDwSvFGSwDGMJqGyPAQEwDv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_scars-of-courage.webp "Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.")
_i-feel-fine.webp "I Feel Fine<br/>Letra Rogerio S. de Oliveira <br/>Música criada pela IA <br/>Vídeo gerado pela IA<br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>I Feel Fine<br/><br/>I feel fine because<br/>I feel joy in every moment,<br/>Because what matters<br/>Is the intensity of the present energy<br/>And the happiness of love.<br/><br/>I feel fine because today I know<br/>That the soul awakens under the strong sun,<br/>And nothing can stop us<br/>As long as we don't give up.<br/><br/>I feel fine because today I know<br/>That in every small gesture,<br/>The greatness and presence of love in me are revealed.<br/><br/>I feel fine because dancing mirrors this,<br/>And every smile is a promise<br/>That we can see on the streets, in the squares,<br/>Because life pulses, because life pulses.<br/><br/>I feel fine because time passes,<br/>But it doesn't suffocate us,<br/>And in the melody of life, freedom touches us,<br/>And in every hug, a feeling is created,<br/>In every hug, a feeling is created.")
![Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.<br/>](https://cdn1.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KDxAWYGSwDHuyZUSyJJEKHv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_scars-of-courage.webp "Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.<br/>")
_obsession.webp "Letra Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Obsession<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>As far back as I can recall, I've been obsessed.<br/>With cleanliness, my smile is blessed.<br/><br/>Each tooth, a jewel to be polished bright.<br/>No residue can linger in sight.<br/>1, 2, 3, 4, 5, 6, and 7.<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>in heaven…<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>Brushing and flossing a sacred ritual, a vital care.<br/><br/>Some may find it excessive, but to me, it's sincere.<br/>My teeth are my most precious treasure dear.<br/>And I protect them with all my might.<br/>They're worth every effort, every night.<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>As far back as I can recall, I've been obsessed.<br/>With cleanliness, my smile is blessed.<br/><br/>Each tooth, a jewel to be polished bright.<br/>No residue can linger in sight.<br/>1, 2, 3, 4, 5, 6, and 7.<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>in heaven…<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.<br/><br/>Brushing and flossing a sacred ritual, a vital care.<br/><br/>Some may find it excessive, but to me, it's sincere.<br/>My teeth are my most precious treasure dear.<br/>And I protect them with all my might.<br/>They're worth every effort, every night.<br/><br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>1, 2, 3, 4, 5, 6, and 7<br/>It's my obsession, that's how I keep my teeth in heaven.<br/>Brushing and flossing, a sacred ritual, a vital care.")
_scars-of-courage-acoustic.webp "Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars of Courage Acoustic<br/><br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.<br/>")
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