raga vocal Videos

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Learn Dikshithar’s Mahaganapthein the Raga Natanarayaniset in Adi Tala with Virtuoso Flute RamannnOne of the Worlds’ best Flautist Virtuoso Flute Raman ( www.RamanKalyan.com ) teaches this Dikshithar composition in a detailed and easy manner so that any flute students can learn this Krithi nThere are two videos in the series. nThe first video, the Krithi is taught in detail.nThe lesson is also presented in its final form with the click for future reference and practice.n nVisit www.Carna
⏲ 2 min 7 sec ✓ 17-May-2020
Full page: https://ragajunglism.org/tunings/menu/bruce-palmer/ | “Two-tone drone tuning, often known as ‘Bruce Palmer (modal)’ after its creator, Buffalo Springfield bassist Bruce Palmer (1946-2004). Famously showcased by his Buffalo bandmate Stephen Stills at Woodstock, anchoring David Crosby & Graham Nash’s soaring vocal harmonies on the rhapsodic, romantic Suite: Judy Blue Eyes. Forms a many-rooted E5 power chord – somewhat similar to classical Indian instruments including the t
⏲ 1 min 5 sec ✓ 22-Mar-2022
This Khayal is performed by Dr. Pooja Goswami Pavan (vocals) accompanied by A. Pavan on tabla.Set to Adha Teen Taal (16 beats), this traditional composition has Sufi lyrics that mean
⏲ 8 min 27 sec ✓ 28-May-2014
A video presentation from the release of SANKÍRTAN new record, called 'Sacrificial Love'. It contains samples taken from the full version video-visuals of each of the 5 tracks. SANKÍRTAN music has a unique combination of acoustic, ethnic and electronic instrumentation. Directed by singer and percussionist Ricardo Hambra, SANKÍRTAN 'global fusion' style includes original and popular compositions inspired by world cultures like India, Latin, Brazilian, Flamenco, African and Mediterranean. SANK
⏲ 1 min 29 sec ✓ 16-Feb-2018
www.karthickiyer.com - A freestyle atmospheric violin leads to a progressive climax, setting the stage for this track. Distinct styles of music come together converging into a refrain in Raga Saranga. A carnatic thillana like melody on the violin, a Lydian scale inspired guitar solo, powerful Konnakol chants (vocal percussion) are bundled together with progressive time signatures. This track showcases the essence of IndoSoul, where a single theme is explored through a number of genres, sounds an
⏲ 4 min 36 sec ✓ 11-Dec-2015
Ranjani Sivakumar – Vocal | Sriramya Mantha – violin | Ramakrishna Chiliveru – mridangamnnArtist Reception on Zoom immediately following.nnFREE for Annual Membersnnnhttps://dhvaniohio.org/recordings/ghana-raga-concert-by-ranjani-sivakumar/
⏲ 2 min 10 sec ✓ 18-Oct-2021
Production: nCentre for Soft Power, Heritage, India Foundation, Indic Academynwww.centerforsoftpower.orgnnnFor Free Audio download!!nVisit: www.centerforsoftpower.orgnnConcept: nVijayalakshmi Vijayakumarnn Composed in Raga Bharatan By Mysore B. ManjunathnnDance direction and choreography: nRukmini VijayakumarnnGlobal Artistes:n nRonu Majumdar – BansurinMysore Manjunath – Violin nUmakant and Ramakant Gundecha - Vocal Dhrupad
⏲ 3 min 27 sec ✓ 16-Nov-2020
Pushpanjali in Nattai raga, Talamalika nComposed by Dr. Ambika Kameshwar. nAn auspicious piece performed nby the artists to invoke nblessings from the nGod, the Guru, and the audience.nOrchestra & PerformersnChoreography and Nattuvangam: nSmt. Kripa Baskaran nDance- Akshaya Ganesan nVocal- Ananya Ganesan nMridangam - Shri. Sriram Natarajan nViolin - Sanjay Suresh
⏲ 3 min 7 sec ✓ 13-Oct-2019
Orchestra & Performers nDance- Akshaya Ganesan nVocal- Ananya Ganesan nMridangam - Shri. Sriram Natarajan nViolin - Sanjay Suresh nThillana in Behag raga, Adi thalam, nComposed by Sangeet Samrat Chitravina, nShri. N. Ravikiran. nThe scintillating finale in a Bharathanatyam nrecital set to rhythmic nfootwork and sculpturesque poses. nThe primary deity celebrated in this nthillana is Lord Ganesha. nSamarpan -Healing with Music is a 501(c)(3) nnot-for-profit organization. Samarpan, a nSanskrit
⏲ 6 min 44 sec ✓ 13-Oct-2019
Full page: https://ragajunglism.org/tunings/menu/open-f/ | “Open F takes the interval shape of Open G, and lowers everything by a whole tone. So, while you can use it to play anything from the vast Open G repertoire, it’s worth focusing on its distinctive quirks too. Most importantly, it is much looser (~30% less tension than if the same strings were set to Standard, and ~20% less than Open G). Consequently, the slackness calls for a light touch: ‘overpressing’ can push fretted tones sha
⏲ 1 min 5 sec ✓ 19-Mar-2022
SAICOBAB channels the vital energy of living music traditions through ecstatic performance. The quartet brings together four musicians whose understanding of ancient musical forms is matched only by their thrilling contemporary resetting of such styles. YoshimiO’s experiments in this field are well documented, from OOIOO’s incorporation of Javanese gamelan into their kaleidoscopic soundworld, to Boredoms’ electrifying modern rituals. Multi-instrumentalist Yoshida Daikiti reveals the human
⏲ 72 sec ✓ 22-Feb-2024
Jagadhodharana in Kaapi raga, Adi thalam, Composed by Purundara Dasa. nThls krithi is about mother Yashoda nraising her child, Krishna, who is the nLord of the universe. Yashoda is noverwhelmed in explaining her feeling ntowards the Lord. nOrchestra & PerformersnChoreography and Nattuvangam: nSmt. Kripa Baskaran nFounder & Director, nNatyarpana Dance Company nDance- Akshaya Ganesan nVocal- Ananya Ganesan nMridangam - Shri. Sriram Natarajan nViolin - Sanjay Suresh nGuru: nSangeet Samrat C
⏲ 5 min 4 sec ✓ 13-Oct-2019
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