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Search Results - Showing 84 - 96 Of 119
Media Influence on Body Image - Love the Skin You're In
⏲ 60 sec ✓ 17-Feb-2014
Présentation de la Fraternité
⏲ 3 min 71 sec ✓ 24-Nov-2019
Michael Kahn, ACE Discusses the Effectiveness of Not Cutting, as Seen in \
⏲ 2 min 7 sec ✓ 18-Jul-2014
L'égalité professionnelle entre les hommes et les femmes ?
⏲ 2 min 91 sec ✓ 22-Sep-2016
Craig McKay, ACE Discusses the Editing of \
⏲ 2 min 42 sec ✓ 17-Oct-2012
Michael Kahn, ACE When There Was Too Much Coverage on \
⏲ 2 min 10 sec ✓ 17-Jul-2014
\
⏲ 1 min 70 sec ✓ 14-Sep-2010
NUL 0 00 N.D. teaser
⏲ 65 sec ✓ 24-Jun-2014
London Eye time-lapse and Westminster Millennium Pier boats - August 2008
⏲ 2 min 10 sec ✓ 04-Sep-2008
Manhattan Edit Workshop presents: Sight, Sound & Story - Michael Berenbaum, ACE on The Americans
⏲ 1 min 20 sec ✓ 16-Sep-2014
Editor Tim Squyres, A.C.E. on Editing \
⏲ 2 min 1 sec ✓ 05-Feb-2013
La legendaria editora Anne V. Coates, ACE sobre el montaje paralelo en \
⏲ 1 min 94 sec ✓ 31-Mar-2017
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_media-influence-on-body-image-love-the-skin-you39re-in.webp "Song: New Dawn Fades by Joy DivisionnnActors: Celina Zambrano and Diego GutierreznDirected by Arturo AncirannStatistic MLA:n")
_prsentation-de-la-fraternit.webp "Petite vidéo présentant la Fraternité cistercienne e l'Abbaye N.D. d'Aiguebelle")
_michael-kahn-ace-discusses-the-effectiveness-of-not-cutting-as-seen-in-92.webp "Manhattan Edit Workshop presents: Sight, Sound & Story - Michael Kahn, ACE on “Lincoln.”nFrom Sight, Sound & Story - June 14th, 2014nnMichael Kahn, ACE is an American film editor. His credits range from TV's Hogan's Heroes to feature films directed by George C. Scott (“The Savage is Loose”) and Steven Spielberg, with whom he has had an extended, notable collaboration over more than thirty years.nn“Lincoln” is a 2012 American epic historical drama film directed by Steven Spiel")
_l39galit-professionnelle-entre-les-hommes-et-les-femmes.webp "L'ÉGALITÉ PROFESSIONNELLE ENTRE LES HOMMES ET LES FEMMES ?nUn clip de présentation pédagogique pour introduire la problématique de l’égalité professionnelle. À diffuser largement !nDurée : 5 minutesnProduction : Réel Factory - 2016nSite : www.egalitefh.tumblr.com| www.reelfactory.tumblr.comnnnCe clip vous invite à regarder trois films qui proposent des exemples concrets, pour aller plus loin et mieux en comprendre les enjeux. Rdv vous sur le site http://egalitefh.tumblr.com où ce")
_craig-mckay-ace-discusses-the-editing-of-92.webp "Editor Craig McKay, ACE discusses the advantages of re-ordering a scene using an example from")
_michael-kahn-ace-when-there-was-too-much-coverage-on-92.webp "Manhattan Edit Workshop presents: Sight, Sound & Story - Michael Kahn, ACE on")
_92.webp "Caterina Perazzinn")
_nul-0-00-n-d-teaser.webp "Sound : N.D.nDirector : Mizuki KInnnNUL 0 00 / N.D.nn01.SOH 1 01n02.STX 2 02n03.ETX 3 03n04.EOT 4 04n05.ENQ 5 05n06.ACK 6 06n07.BEL 7 07nncatlogue no : mcd-13nartist name： N.D.ntitle： NUL 0 00ntype：CD albumnprice:￥1,500 ＋ Taxndate：2014/7/2nJAN： 4571253430136nnmore info(http://www.mophrec.net/wordpress/?p=5896)nMizuki KIn(http://www.kin-xx.com/ )")
_london-eye-time-lapse-and-westminster-millennium-pier-boats-august-2008.webp "This is a time-lapse sequence of The London Eye I shot on a recent break in London, U.K.nI filmed it on Tuesday August 26th 2008 from Victoria Embankment where it meets up with Westminster Bridge.nThis vantage point overlooks the Westminster Millennium Pier where boats often set off from.nnEach rotation of the eye takes about 30 minutes, meaning a capsule travels at a stately 26cm per second!nThe total weight of the wheel and capsules is 2100 tonnes so you can't expect it to go fast.nnIf YOU wer")
_manhattan-edit-workshop-presents-sight-sound-amp-story-michael-berenbaum-ace-on-the-americans.webp "Manhattan Edit Workshop presents: Sight, Sound & Story - Michael Berenbaum, ACE on")
_editor-tim-squyres-a-c-e-on-editing-92.webp "Tim Squyres, A.C.E. discusses the challenges of cutting in 3D, as seen in")
_la-legendaria-editora-anne-v-coates-ace-sobre-el-montaje-paralelo-en-92.webp "La editora Anne V. Coates, ACE habla sobre el uso del montaje paralelo en")
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