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Shooting:nCanon EOS M Camera with Magic LanternnComputar 12.5-75mm f/1.2 C-Mount LensnSandisk Extreme Pro 32gb 95mb/sn Cardn1664x602 Mlv Raw Video (2.76:1)nHandheldnnColor Grading:nAfter Effects with Adobe Camrea RawnVision LognColorista
⏲ 1 min 90 sec ✓ 02-Apr-2016
The XT30 is one of the most affordable cameras offering 10bit 4:2:2 output so I wanted to see what it could do! I used the Ninja V to record Prores LT and shot in F-Log to test how well the footage is retained. I was incredibly happy with the XT30+Ninja V combo. This was shot using the Fuji kit lens, which is an amazing piece of equipment that I highly recommend. Enjoy my little Fuji short film shot on the XT30 with the Ninja V.nnColor graded using: http://bit.ly/2YaQLzd. nnWATCH THIS: https://y
⏲ 1 min 0 sec ✓ 09-Jan-2020
We shot an event a few days ago with two EX3. In the break I set the GH1 on a tripod and recorded a few minute to test again the low light performace of the camera. I used a Zeiss Flektogon 35mm F/2.4 prime lens. Edited with Final Cut Pro / Log and Transfer / ProRes LT / Mpeg Streamclip. I will put some footage from the EX3 soon too.
⏲ 89 sec ✓ 24-Jan-2010
Some color grading to see the robustness of the X-T3 F-Log 10bits All-I.nWe can really push the sliders in all directions; it's solid.nShooting in F-Log, 800 ISO, WB auto, SS 1/48, SH -4, NR-4.nH265 All-I 200 Mbps 2K DCI 2048x1080nOriginal F-Log file is herenhttps://drive.google.com/file/d/1WrxAJs0NPvQ9jG5Sh5asBuxzfJjbC0j1/view?usp=sharing
⏲ 34 sec ✓ 06-Nov-2018
Canon XC10 Houston Zoo nMy first time shooting with the camera. nThe things I like about the camera. n- Image quality, Its very well balanced, Light weight, The codec: I notice when I importing the clips from the Canon XC10 into Sony Vegas Pro 13 and Adobe Premiere the description says Sony XAVC notCanon XF-AVC Codec. I wonder if it’s the same format used by Sony. If I purchased this camera I would use it for interviews light weight small form factor easy to travel with.nnThe things I di
⏲ 1 min 33 sec ✓ 05-Sep-2015
I haven't really seen any tests like the one I have done, and I have gotten so much from this community that I thought I'd like to give back and perhaps start a discussion around these.nnOn vimeo you can see the whole 4 mins of me changing settings and the difference it makes. I left the on-screen menus on so that we could see what I was selecting. A bit annoying but it helps me to remember and get a very quick view.nnSome initial thoughts: nI find in camera Detail at 5 looks better than Sharpen
⏲ 2 min 90 sec ✓ 21-Oct-2017
Shot at 4K @24 and 4K @60nnTaking Lenses: nSLR Magic 25mm T0.95 & Panasonic 20mm F1.7nnIn order to maintain focus we stopped down both lenses tonT/F 3.5-4.0 anything faster than 2.8 is hard to keep in focus and it introduces chromatic aberration.We kept the anamorphic lens about halfway between near & normal.nnOthers reviewers said this isn’t good combination for a “Run N Gun” situations but I beg to differ.I had no problems pulling focus on both lenses when necessary.nnI was
⏲ 1 min 12 sec ✓ 19-Mar-2019
My 4-hour Panasonic S1H Master Class is now available for on-demand streaming:https://vimeo.com/ondemand/s1hnnAs I was working on producing my 4-hour master class training video for the Panasonic S1H I really enjoyed getting out a couple of times to shoot wildlife footage (mostly birds!) with the camera as I got to know it better and learn it's strengths and weaknesses.nnThis video was shot with my Panasonic Lumix DC-S1H using just the naked camera with no cage, external monitor, or viewfinder
⏲ 2 min 16 sec ✓ 31-Jan-2020
A quick 20min test on Brighton beach with the LUMIX S1 and the new LUMIX PRO 50mm 1.4. All images in HEVC HLG converted to V-LOG/Rec709 with emotivecolor LUTs. HLG picture profile options all set to 0.
⏲ 74 sec ✓ 24-Feb-2019
Some lowlight shots of the C100 and Samyang 24mm / f1.5, ISO2000-4000 (one or two Canon-log and normal4 gamma, the 50i original record with deinterlace and stabilization at post, no noise reduction).
⏲ 1 min 78 sec ✓ 14-Sep-2013
SHORT FILM: MY DAILY DRIVEN 2005 DODGE NEON SRT-4nnFILM CREW (LOS RANGER & BRODGERZ) nFILMED AT LOCAL SHIPYARDnnEQUIPMENT:nCAMERA: CANON REBEL T3inCANON EF 50mm f/1.8 II LensnCANON 18-55mm IS II LensnMOTION SLIDER 36
⏲ 2 min 23 sec ✓ 08-Jun-2013
Panasonic GH5 nPanasonic Leica 12-60mm f/2.8-4.0n4K 60p, 8-bit 150MbpsnV-Log LnSLR Magic Variable ND nAll handheldnSome additional stabilization in FCP XnnMusic: An Arc of Doves from Ambient 2, Harold Budd and Brian EnonnThird day of testing a rented 12-60nnDay 1: https://vimeo.com/213342523nDay 2: https://vimeo.com/213343135nDay 4: https://vimeo.com/214416067
⏲ 1 min 27 sec ✓ 23-Apr-2017
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